By Everisto Zhuwao

The NAMA 26 People’s Choice Award has officially been activated, sending waves of excitement across Zimbabwe’s entertainment fraternity. This year’s category is arguably the most competitive in recent memory, with each nominee bringing a distinct strength to the race.

Gateway Streaming has already opened the voting platforms, operating on a strict one-person, one-vote system a mechanism that places power squarely in the hands of the public.

The first nominee is Principal Chigwida, widely known as Prince Chigwida, a gospel musician celebrated for his distinctive sound that seamlessly blends traditional instruments with modern musical elements. With an impressive following of 259,000 on Instagram and strong backing from the ZCC Mbungo Church community, Chigwida enters the contest as a formidable candidate. His nomination is not merely symbolic; it reflects a solid support base rooted in both faith and artistry.

Second on the list is Leroy T. Zaware, popularly known as Comic Elder. Arguably the comedian of the year, Comic Elder has built an extraordinary digital empire. Commanding a staggering 1.2 million followers on Facebook alone, his posts consistently attract an average of 100,000 likes and 10,000 comments figures that signal not just popularity, but deep engagement. In a public vote scenario, such numbers translate into serious electoral capital, making him a strong contender in the category.

The third nominee is Wallace Chirumiko, affectionately known as Winky D. The “Gaffa,” as his fans call him, may not maintain an aggressive social media presence, but his influence extends far beyond digital metrics. Having scooped the People’s Choice Award four times in the last five years, Winky D’s dominance speaks to unmatched grassroots support. His ability to sell out shows without heavy promotional campaigns underscores a brand that thrives on loyalty and cultural relevance. In this category, his ground support could once again outweigh online numbers.

The fourth nominee is Mukudzei Mukombe, better known as Jah Prayzah. With a commanding social media presence exceeding four million followers across platforms, Jah Prayzah is undeniably a force in the digital era. Coupled with what is arguably the biggest song in the country this year, his momentum is undeniable. Beyond numbers, his consistent humility and disciplined brand positioning could further endear him to voters, giving him a strategic advantage in the People’s Choice race.

Last, but certainly not least, is socialite Mitchell Moyo, also known as Ritz Mcleish. Recognised for her beauty and for positioning herself as a voice for single mothers, Ritz brings a different dynamic to the competition. Her appeal cuts across social and gender lines, and her ability to mobilise support through identity and representation could prove decisive in a category driven purely by public sentiment.

Voting progresses, one question dominates entertainment discussions nationwide: who will ultimately take the crown? With diverse fan bases, contrasting influence models, and passionate supporters behind each nominee, the outcome remains unpredictable. What is certain, however, is that the NAMA 26 People’s Choice Award has evolved into more than just a popularity contest it is now a true test of influence, loyalty, and cultural impact.

The song “Ndiri Kurwadziwa” still resonates with many Zimbabweans, especially during moments of loss and hardship. The emotional track was written and recorded by renowned man of the cloth, Prophet T Freddy, following the demolition of his Glen View church by the Harare City Council in 2020.

At the time, the destruction of the church was a painful setback for the prophet, who had invested heavily in the structure. The experience inspired the heartfelt lyrics, “Ndingagone kuzvishingisa vakomana ndiri kurwadziwa,” reflecting his deep sense of loss.

Despite the devastating blow, Prophet Freddy, known for his strong prophetic ministry, refused to give up. He later secured new land at the corner of Highglen and Mushayabande Road, where he embarked on an ambitious rebuilding project.

Six years after the demolition, the prophet is now putting final touches to a modern, state-of-the-art church complex with a seating capacity of over 2,000 congregants.

“We made a deliberate decision to invest in God’s house so that people can worship in a comfortable and conducive environment,” Prophet Freddy said. “Yes, we went through a major setback, but God has always remained faithful.”

He acknowledged that the journey was not easy, noting that the project required vast resources and commitment.

“It has not been easy at all. The building process demanded a lot of materials and sacrifice, but by God’s grace, we have come this far,” he added.

The new church has been designed to offer ample seating and clear visibility, allowing congregants to fully engage during services.

Prophet Freddy has also been widely praised for prioritising ministry infrastructure over personal luxury.

“He chose to invest in the work of God instead of expensive cars or convoys,” said one church member. “From the beginning, he was determined to see this church completed.”

The official opening of the new church is expected in the first quarter of this year once final works are concluded.

With this development, Goodness and Mercy Ministries is set to join the ranks of churches in Zimbabwe that boast modern and well-equipped worship facilities, marking a significant milestone in its growth and resilience journey.

Gospel music icon Baba Machanic Manyeruke, a living legend, says his family, friends and colleagues are pushing him to scrap his retirement plans from performing.

Manyeruke, known as the grandfather of Zimbabwe’s gospel music patriarch, has just returned from a successful three-month tour of the UK, where he performed at shows and led church conferences.

“I have always mentored several musicians without touting my accomplishments. I believe the time will come when my mentees will share their testimonies about how I impacted their lives, whether during my lifetime or after my departure”.

“As a musician and father, I do my job quietly, allowing the world to judge me through my works, which will endure beyond my death.”

Starting his music career in colonial times, Manyeruke encouraged artists to adapt to the times.

Manyeruke further confirmed that he started long ago, and with today’s technological revolution, he hopes to see artists embrace these changes.

” Personally, I have also adopted new technologies, recognising that my family can monetise my music even after I’m gone,” he said